It’s also a show that raises big questions. At six episodes, it’s an easy binge over a night or two. “The Chair” is the sort of show in which, even if you’re not laughing much, it’s easy to get wrapped up in the lives of the characters and want to see what happens next.
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The academic setting and problems-piling-up nature of the story brings to mind the 2000 filmed-in-Pittsburgh Michael Douglas movie “Wonder Boys,” based on the 1995 Michael Chabon novel. Mercedes”) that “The Chair” offers a welcome reminder of how agile she is in a comedic role (see also: “Two and a Half Men,” “The Powers That Be”). Taylor has done so many dramatic parts lately (“Hollywood,” “Ann,” “Mr. The true scene-stealer is Holland Taylor as Chaucer-loving professor Joan. She plays a harried single mom to a challenging adopted daughter, when she’s not trying to put out fires at work. Oh is excellent as always, delivering another naturalistic, feels-like-someone-you-could-know performance. (While the Chatham and Washington & Jefferson campuses look great, “The Chair” is much less Pittsburgh-y in its visuals than “Sweet Girl.”) Her career advancement almost immediately hits the skids when fellow professor and possible love interest Bill Dobson (Jay Duplass, “Transparent”) creates a firestorm on the show’s New England campus. Sandra Oh (“Killing Eve”) stars as Pembroke University English professor Ji-Yoon Kim, who’s just been named the first woman chair of the English department. That’s not a slam, just an effort to set expectations accordingly. Though it’s billed as a comedy - with episodes running a traditional comedy-length 25 minutes - “The Chair” is more absurdist than belly laugh-generating, similar to plenty of premium cable “comedies” of the past decade. “Sweet Girl” delivers a gorgeous video postcard of Pittsburgh, but as a movie, it’s pretty meh. The film doesn’t traffic in mix-and-match locations that make no geographic sense. A car chase proceeds down Fort Duquesne Boulevard before turning onto the Roberto Clemente Bridge. A long sequence on a T train starts at Gateway Station and processes logically to Steel Plaza station and then First Avenue. “Sweet Girl” also deserves credit for being pretty true to local geography. Washington and the fountain in the courtyard of the Allegheny County Courthouse, which is the setting for a soaking-wet fight sequence. And Momoa’s over-the-top breakdown scene in a hospital may not provoke the intended reaction among viewers.īut “Sweet Girl” sure gives a greatest-hits view of Pittsburgh’s most cinematic locations, showing off PNC Park, Fort Duquesne Boulevard, the Benedum Center, the City County Building, the city entrance from the Fort Pitt Bridge and Tunnel, Mt. “Sweet Girl” deserves some credit for an unexpected plot left turn, but all the beats up to that are pretty pat. R-rated mayhem ensues, including one rival getting shot in the forehead. Ray seemingly kills an attacker every few minutes as he finds himself rooting out a conspiracy. When his wife dies, Ray goes on the warpath with daughter Rachel (Isabela Merced) in tow. (If the film addresses why they couldn’t use the brand-name drug, other than cost, I missed it.) In this revenge thriller with a twist, Jason Momoa stars as Ray, a man whose wife (Adria Arjona) gets cancer, leading him to threaten revenge on the pharmaceutical executive (Justin Bartha) who withdrew the generic brand of a cancer-fighting drug from the market. “Sweet Girl” is one of those movies that makes Pittsburgh look fantastic but is itself not great (see also: “Striking Distance”). 4 embargo the embargo on reviews of “Sweet Girl” just lifted today. With that in mind, it’s worth noting the embargo dates for two filmed-in-Pittsburgh projects released by Netflix today: “The Chair” had an Aug. When the embargo date is the same as the release date, well, that’s a sure sign that publicists anticipate negative reviews.
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Here’s an inside-entertainment tip: When networks/studios/platforms put an embargo date (that is, when stories can be published) on reviews of a new movie or TV show that is well in advance of the release date that the project becomes available to the public, it’s because those in charge of publicity efforts believe reviews will be generally good and draw positive attention.